BSH: The Horror in the Hamptons

Since Dec. 5 when the premier party of “Blood Sweat & Heels” took place, I’ve been on a never-ending press tour to promote the show.  I’ve adhered to the company line about “BSH” being different than “other”—insert shade here— reality shows. In so many multi-syllabic words, my castmates and I have set out in the press to distinguish ourselves in the reality landscape.

But the obvious truth, as viewers witnessed, is that some of the cast’s behavior is completely lacking in common sense, couth and any conception of class. Saying, “Oh, we’re so different” just makes for better spin on press junkets.

Admittedly, BSH makes for great television.  (I’m biased.) I’d like to think I would watch, even if I was not on the show. But what happened in tonight’s episode in the Hamptons it is not what I signed on for.

The Hamptons incident was shameful. There was so much more promise for what could have been shown from that excursion. Brie’s parents home is located in an historical African-American enclave of Sag Harbor. Too often, when we see images of Black success, it’s of entertainers and athletes. The inhabitants of Sag Harbor are Black folk with wealth earned through education and entrepreneurship. That should have been acknowledged.

The Hamptons could have been a great girlfriends getaway, a trip of over-worked women escaping the bustle of the city to relax. But instead it descended into the “fuckery and foolishness” that I predicted (on camera) it would be on the drive out.

Months later, I’m still confused as to exactly why Mica came to the Hamptons—sans boyfriend-  to party with women she only met in the process of taping a TV show. What was so important in the Hamptons?

I’m also unclear— still— on what happened in that scene. When asked a basic question about Mica being late—which if you haven’t picked up on by now, is a Bravo staple for creating conflict; it’s happened once prior on BSH and on a recent episode of “Real Housewives of Atlanta”—  Mica goes from zero to 60  for absolutely no reason.

In Sag Harbor, I didn’t want to deal with her drunk behavior— the same behavior showcased on every episode thus far—  again. She was clearly looking for a fight. I wasn’t up for it, especially since it’s not like reality stars get Emmys for great meltdowns or blowups. Acting out on camera may be her brand, but it isn’t mine. So I bounced to go powder my nose.

Mica says that made her feel dismissed by us. I felt set-up for another “L” by her.

Mica had an epic meltdown. After listening to her go on and on in the backyard of Brie’s home, loudly, for 20 minutes, Geneva said her piece; I also had enough and told Mica to leave.

Geneva and I went inside the house to get away from Mica. We were not bothering her. She already responded to us. We believed Mica was in the front yard getting into the cab Brie called for her earlier.

Then suddenly Mica’s at Brie’s parents’ back door, trying to rip it off the rail.   There was no justifiable reason for that. And more important, I mean, really, REALLY, who does that anyway… at somebody’s mama house?!?!

Her father’s passing, which she declined to talk about when Geneva asked and did not share with the cast until after her meltdown, is unfortunate. But it is also  reprehensible to use it as an excuse for her obnoxious behavior.

I realized Mica was desperate, angry, unstable and unpredictable in that scene. I also realize there was no security on set. No one thought we’d need it on a show about professional women pursuing their dreams.

Mica’s fight with the door was a fight or flight moment for me. I might not have run off if I’d seen CBW there, pulling the door closed with one hand, shaking Milk Duds with the other, and telling Mica that she wasn’t getting in the house. I didn’t though, so I ran.

I didn’t want to be anywhere near her—still don’t.

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